Genre
4 artists
The Saharan guitar tradition: Tuareg-led, hypnotic, built on cycling riffs rather than chord changes.
The name is a Western one and only half fits. What it describes is the electric guitar music Tuareg musicians built from the 1980s onward across Mali, Niger, Algeria and southern Libya: pentatonic lines, a rolling one-chord groove, call-and-response vocals in Tamasheq, and a rhythmic feel that owes more to camel gait and handclaps than to anything American.
The resemblance to Mississippi blues is real, and the usual explanation runs the opposite way from what the name implies: the Saharan tradition is the older one, not the derivative.
It travels unusually well, which is why bands playing it fill festival stages worldwide while singing in a language almost none of the audience speaks.